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BELLA
HARDY
BBC Folk Singer of the Year Bella
Hardy has sung unaccompanied ballads at a sold-out Royal Albert
Hall, learnt the songs of Chinese farmers during her time as
British Council Musician in Residence in Yunnan Province, and
spent a year in Tennessee as a ranch hand, looking after horses,
fiddle-singing in the diners, and immersing herself in the music
culture of Nashville. With unflinching courage, Bella has
explored and blurred musical boundaries from a mastery of
traditional music to pop production and electronics, releasing
ten solo records including her 'Best Of' in 2019. With her
acclaimed, mesmerising voice and earthy fiddle accompaniments,
Bella now writes and composes in her beloved Peak District,
conjuring and twisting stories that call straight to the heart.
“Brit folk's finest” Mojo Magazine • “Enduringly seductive” The
Telegraph • “A fine, no-nonsense interpreter of traditional
music and an excellent songwriter” The Guardian • “An aura of
sophistication that will win over listeners who never set foot
in a folk club” The Sunday Times • “…a shining star in the folk
scene’s firmament” fRoots Magazine


Gaelforce are a superb Celtic Folk Rock Band from Yorkshire .
with
Chris Dyson – fiddle, vocal
Geoff Taylor – electric guitars
Sammy Dowgill – bass, vocal
Jim Brierley – drums, vocal
Voted winner on the Great British Folk Festival introducing
stage Jan 6th 2023 at Skegness, by public vote.
Rocked up traditional folk & original songs with some jigs n
reels. Dont miss them.
Some comments from GBFF
Just seen gaelforce at Butlin’s. Awesome. Zoe-Anne Wadey
great set today at Centre Stage Butlins. I am no really into
folk but you converted me just a bit Karen Woodcoc

Vikki Clayton
seemed to be aiming for a musical career from an early
age. Born in England in the early/middle-1950's, she spent her
early childhood absorbing the sounds of trad-jazz records,
courtesy of her parents and, by her own account, later came to
love the music of Rodgers and Hammerstein through the
contemporary cast albums of South Pacific and The King And I.
From her grandmother she learned folksongs from old Sussex, and
she later enjoyed the advantage of having an eccentric music
teacher, who introduced her to Morris Dancing and other folk
traditions as well as to the folk-based work of Vaughan
Williams, Benjamin Brittein, and Frederick Delius. Clayton took
up the guitar at age 12, and at the time her influences were
decidedly American -- Bob Dylan and Joan Baez loomed especially
large in her consciousness when she was in her early teens. By
the end of the 1960's, her family had left London and moved to
Lincolnshire, and Clayton had begun hanging around with other
folk enthusiasts -- after hearing the then-new Fairport
Convention album Leige And Leif, she'd found a direction and, in
Sandy Denny (who, rather ironically, exited the group soon
after), a home-grown source of inspiration for her singing and
playing. Seemingly following Denny's example, as well as the
pattern of the times, Clayton joined a series of electric
folk-rock bands, including Kelsay and the Ragged Heroes, of
which the latter lasted long enough to record an LP. She also
became infatuated with the work and music of folksong arranger
(and composer) Percy Grainger (1882-1961) during the 1970's.
Possessed of a silvery-pure voice and exquisite musical
sensibilities, it was inevitable that Clayton would take
center-stage as an artist. Her solo recording career -- which
has principally been for the New Day label -- began with Honor
Tokened, and her subsequent work included Lost Lady Found (which
included her first recording of a Sandy Denny song);
additionally, in association with Fred A. Baker and Ric Sanders,
she recorded Sanders, Baker & Clayton Carried Away, In Flight
and Looking At The Stars. Clayton has also worked with Gordon
Giltrap and Tony Moore on Midsummer Cushion, an album of
Georgian poet John Clare's work set to her music. On Movers And
Shakers, she played and sang alongside Gerry Conway, Ric
Sanders, John Kirkpatrick, and Jethro Tull's Martin Barre, and
she has toured with the Vikki Clayton Band, which includes
Jethro Tull co-founder Clive Bunker on the drums. She is best
known as a solo performer, however. As of 2004, her most
well-known recording is It Suits Me Well, an album of songs
written by, arranged, or associated with her longtime idol Sandy
Denny, originally released on the Kent-based HTD label and
reissued by Castle Records. She is undertaking a lengthy tour of
the UK in 2027 going right through till December of 2026.
"INTRODUCING STAGE " WINNERS from 2026
Hailing
from Cheshire, a classy and infectious twin-vocal 6-piece blend
of Folk, Country and Americana, based around the music of leader
David Boardman and lyrics of Mark Radcliffe. Through 3 well
received albums, the band have been steadily building an
audience through gigs, festivals and prestige tour support slots
to the likes of A-lister Keifer Sutherland and his band, plus
Americana legend Sid Griffin and the Long Ryders. Their sound
takes in pan-Atlantic influences, the vocal blend of Fleetwood
Mac, shades of Dylan and The Band, the occasional muscularity of
Springsteen, the pioneering Country-Rock of the much missed Gram
Parsons, all seasoned with a sprinkle of classic British
indie-pop.
A recent rejig to the line-up has seen the
addition of guitar playing vocalist Helen Walford-Insley and
drummer Emily Bailey, join the aforementioned Mr Boardman
(guitar/vocals), plus Emily Doggett on fiddle, Jim Broughton on
Bass and the magnificent keyboards of Gary O’Brien

Virginia Kettle’s
Rolling Folk
Virginia Kettle
is the very heart of the multi award-winning folk-rock band
Merry Hell. Her songs, spirit and energies have helped drive
the band ever upwards, giving a significant outlet to her
creativity, providing anthems such as Bury Me Naked,
which had 20,000 fans swaying in a Cropredy field, as well
as irresistible dancing tunes, and slices of wry humour as
seen in ‘VIOLET’, her solo tour-de-force during the
band set, where she often forgoes the need for amplification
and wanders freely among the audience. Her solo album ‘No
Place Like Tomorrow’ was a critical and popular success,
hitting the heights of No.1 in the Amazon Folk Charts within
days of its release.
ROLLING FOLK
As a prolific writer of songs, Rolling Folk gives
Virginia the chance to share a variety of songs not included
in Merry Hell’s sets. It is not a replacement for the band,
but an additional outlet for her creativity and energy.
Offering the same level of songwriting excellence as Merry
Hell, but a different, more intimate feel, plus additional
musical explorations, Rolling Folk surrounds Virginia with a
fabulous and interesting selection of players, particularly
multi, multi-instrumentalist Chris Lee, (Full House, Time
Bandits, Family Mahone, Galleon Blast, Rad Co., etc, etc
etc) and percussionist, whistle player and flautist, Mark
Wooley (Ade Edmondson's Bad Shepherds, Full House, session
master and more) and more recently ace fiddle player Clare
‘Fluff’ Smith, again a (young) veteran of numerous projects,
including a stint with The Incredible String Band. Add in
Virginia’s bandmate and husband John, all giving breadth and
depth to her musical and lyrical visions. She has been
described by Folk North West magazine as ‘The best thing
to happen in British Folk for years’ and who are we to
argue?
The
Jake Leg Jug Band brings you the authentic sounds of 1920's and
30's America - jazz, blues, ragtime and gospel. Songs of murder,
betrayal, gambling, liquor and redemption.
After self-releasing their debut album Cotton
Mouth, the band signed to one of the UK's most prestigious Jazz
labels, recording three albums as part of the 'Vintage Recording
Project', recording live around ribbon microphones, as it would
have been back in the 1930’s. ‘Next Stop!’ ‘Everythin's Jake’
and ‘Break a Leg’ all met with rave reviews;
"A masterpiece of nostalgic music. The band
display real virtuosity and create a wonderful sound that will
be hard for any other band to repeat" Folk North West
The band followed up with the compilation
'Fifth Avenue', their debut release for the Green Bullet record
label in late 2018.
"Pick any track at random and prepare to be
entertained " RnR
January 2020 saw the release of album number
6, 'Goodbye Booze' which commemorated 100 years since the start
of the American prohibition, followed in 2021 with an additional
vinyl release on Coastal Light Records.
“Pretty
damn good! There isn’t a weak number on the album” Blues
Matters
2022 marked the 10th anniversary of the band
and saw them play over 100 gigs plus the release of their first
ever live album – ‘Live at Audley Theatre’.
“It’s
hard to pick out favourites. Thoroughly entertaining” Blues in
Britain
In 2023 they released ‘Hello Central’,
heralding in a new era as a permanent 3-piece band, augmented by
additional live musicians. The album proved to be the band's
most successful release to date both critically and
commercially, receiving airplay on BBC Radio 2.
"A truly unique and talented group of
musicians, their talent shines through on each and every track”
Blues Blast Magazine (USA)
"In its genre, this album is simply
indispensable" Rootstime (Belgium)
"Probably their best CD. Thoroughly enjoyable
- excellent entertainment” Just Jazz
In 2024 the band released its 9th album in 12
years, 'Some Glad Morning' a full album of spirituals.
“An
entertaining and varied mix...the Band shows how warming and
moving spirituals can still be today…” Rootstime (Belgium)
PAULA
RYAN - an award-winning Singer/Songwriter from Tipperary,
Ireland is "a unique voice in the contemporary folk world"
(Classic Rock Society Magazine). Paula's music is infused with
the Celtic lyricism and passion of her Irish Gaelic roots and
she uses a range of instruments, some standard (Guitar, Bazouki)
and some a bit more unusual (Bodhran, Marimba), to accompany
original songs which are “really powerful....what song-writing
is all about, making you think” (Fatea Magazine).
Paula's “story-telling” intros and her
sometimes serious, sometimes amusing, sometimes reflective,
sometimes lively, but always sensitive to the song and the
music, presentation of her own original material alongside folk
favourites represent performance, originality, creativity, and
entertainment at their best!
Paula 's latest studio album is “Turas
Cumadoir (Songwriter's Journey)” According to Irish Music
Magazine "Albums like this are a rarity and a breath of fresh
air when they come along - this one is a gem which anyone will
enjoy". The album has earned airplay on RTE Radio 1, Tipp FM and
other radio stations throughout Ireland as well as in France,
Germany and across the BBC including, BBC TV, BBC and BBC Radio
Ulster and received highly favourable reviews from leading
folk/acoustic publications such as fRoots, Acoustic Magazine,
FATEA.
Paula performs at venues and festivals
nationally and internationally and whatever the stage or the
size of the audience, her performances, laced with the warmth,
wit, uniqueness and musicality of her Irish roots, are "well
worth seeking out" (Irish Music Magazine).
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